In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
E. Ashley Izard tackles one of the most daunting roles in the American canon.
There was a perfection to the timing of FUN HOME’s arrival in Philadelphia: Another take on FUN HOME
The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert’s novel (read the Phindie review). Aetna Gallagher, Andrew Blasenak,…
A meta take on Flaubert’s classic.
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
Rajendra Ramoon Maharaj’s poignant play about nine children who integrate Little Rock’s Central High School creates a lasting impression.