Before she passed away at the age of just 24, Allison Rickert contributed several delightful articles to Phindie. Henrik Eger offers this personal tribute to a talented writer lost before her time.
Christopher Munden is the publisher and editor of Phindie. In these pages you’ve probably read what he thinks about local theater and arts. But what’s his deal? Read Henrik Eger’s interview with…
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GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
K.O. DelMarcelle: Maintaining versatility with an eye on the future Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.... 
The German Society of Pennsylvania presents their final Delius Society Concert The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset. 
Does It All Add Up? Trey Lyford takes account of his upcoming Fringe show The Accountant fuses physical theater, humor, and illusion to create a “dreamscape of memory and loss.” 
SUICIDE STORIES (Elephant Room Productions): 2017 Fringe review A surprising reminder of how good it is just to be alive. 
At the opening night performance of LaBute’s IN A DARK DARK HOUSE I had what alcoholics refer to as a moment of clarity: Suddenly an entire oeuvre littered with cruel antihero bastards made sense. more…
