Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.

Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.

Adapting Truman Capote’s Breakfast at Tiffany’s but not pulling verbatim from the novella, three playwrights have created a special experience in a Point Breeze row home.

We talk to Chris Davis, Bruce Walsh, and Doug Williams ahead of their relaunch of HOLLY’S DEAD SOLDIERS.

For this year’s Fringe Festival, King Britt and Kate Watson-Wallace has put together a tasty schedule of Late Night offerings at the Fringe bar.

Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.

Part Two of Douglas Williams backstage diary as the play he wrote finishes rehearsals and opens to audiences.

Playwright Douglas Williams gives us a view into the life and psyche of a young man haunted by horrific events from his past.

Douglas Williams has partnered with Phindie to share the playwright’s perspective as a new play is developed, rehearsed, and produced

“I have hated this play sometimes,” says Doug Williams. Strong words, when you’re talking about something you’ve written yourself.

A collaboration between three inventive local playwrights, SAFE SPACE provides its audience a Fringe adventure: a choose your own adventure.

In this special Phindie feature, Chris interviews Doug about safe spaces, role-playing, and the playwriting process.

In this special Phindie feature, Holly’s Dead Soldiers alums Douglas Williams and Chris Davis talk about Chris’s new work and his recent trip to Scotland for the world-famous Edinburgh Fringe.

Playwright Douglas Williams collaborated on a stand-out Fringe hit of 2013, Holly’s Dead Soldiers Doug shared five picks the 2014 Fest.

Needless to say, with over forty individual shows slated to pop up across Philly from June 19-29, it can be hard to decide where you’re going to spend your pocket money.

To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists!

In episode two, we get Chaplin in Queen Village, time travel in South Philly, and brain spasms in Kensington.

The play transpires in and around Bruce Walsh’s living room. (September 14 performances will take place at the home of Doug Williams.) Three collaborating playwrights share a sense of community that…

As its mission, Phindie provides independent coverage of Philadelphia theater and arts, with a focus on independent theater. So the Philly Fringe Festival* is a perfectly aligned two-week event. With…

For a while, Northern Liberties replaced Old City as a hub of the Fringe, with the headquarters of the former Live Arts and Philly Fringe, the festival box office, and…

Bruce Walsh—creator of last year’s Fringe home‐hit, Chomsky vs. Buckley, 1969—has sought out fellow playwrights, Chris Davis and Douglas Williams, to stage a collaborative work in their own homes. Awesomely,…

The Fringe Festival has expanded greatly from its Old City roots, spreading from a compact neighborhood to all corners of the city and beyond. So to those who remember earlier…