A jubilant mix of beautiful music and songs, dancing, magic, social politics… and elocution
Shakespeare made simple, and simply fun.
Theatre Horizon’s production of William Finn’s autobiographical musical comedy is filled with off-beat humor, powerhouse vocals, and a life-affirming message.
It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.
A look at the building of the impressive set for the Arden production of METAMORPHOSES.
Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group)
Henrik Eger talks to director Rebecca Wright about her work and influences.
With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.
I loved to read when I was a kid
And although I’m full grown I still love what I did.
THE CAT IN THE HAT was one of my faves.
Now that book is a play* and I’m giving it raves!
The Arden’s production is silly and wild.
It’s as good for adults as it is for a child.
Dylan Thomas’s poem A CHILD’S CHRISTMAS IN WALES runs the risk of becoming sticky-sweet with nostalgia, and it is director Sebastienne Mundheim’s idiosyncratic vision, and the spot-on instincts of her actors, which…
Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.