A jubilant mix of beautiful music and songs, dancing, magic, social politics… and elocution
Oscar Wilde once wrote to a friend that his two books of fairy tales were intended “partly for children and partly for those who have kept the childlike faculties of…
Class. Money. Power: The carrots start flying at the Urban Creators farm collective.
“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.
While some plays are heavy three course meals, THE SISTERHOOD is definitely dessert.
Ferdinand creator and producer talks about his Fringe show NOT FOR PROFIT and the art of creating art in the non-profit world.
Michael Frayn’s enormously popular 1980s play is a zany farce about doors and sardines, relationships, and mistakes.
THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word
Two groundbreaking plays in the history of queer theater–Lillian Hellman’s THE CHILDREN’S HOUR and Mart Crowley’s THE BOYS IN THE BAND—will be presented in the format of staged readings over the next two weekends by Mauckingbird Theatre Company.
The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.
This play travels anything but light, but for aficionados—as I am—of talented and doomed Joe Orton or for those fascinated by Brian Epstein (the man who made the Beatles), the…
Entering the Adrienne’s Skybox into Liam’s Sofa Cushion Fortress Philadelphia premiere production of TRAVELING LIGHT, I was worried. I normally abhor plays hinged around real-life famous people, like Steve Martin’s…