Stephanie Blythe as Blythely Oratonio performing at LATE NIGHT SNACKS
Dito van Reigersberg
“What is cabaret?”
Dito van Reigersberg in a new drag persona steals the spotlight in this riotuous, fierce production.
Martha Graham Cracker brought the Fringe Festival to a close last Saturday with a marvelous set of compositions
GENTLEMAN VOLUNTEERS displays charm, psychological interest, and fringe sentiment which planted the roots of Pig Iron’s experimentation.
THE THREE MUSKETEERS (THE LATER YEARS): A MUSICAL PANTO (People’s Light): The triumphant return of a holiday favorite
The annual panto returns with a wacky take on Alexandre Dumas’ beloved adventure story of 17th-century France.
The elegant group picnic returns with entertainment by DJ Sabeel Chohan, dance troupe The Canarsie Wobblers, and The Martha Graham Cracker Cabaret.
Is it adaptations of familiar works, or is there another, more intimate kind of musical that can be done without gadgets and effects and superheroes flying across the stage?
An absurd sci-fi epic with countless phallic symbols and absolutely no sense of “too much”. What more could you ask for?
Pig Iron’s latest wild theatrical creation opens this week at FringeArts. I Promised Myself to Live Faster is an absurdist sci-fi epic and wild allegory about gayness in 2015,
David Hirson’s riotous comedy in rhyming couplets evokes the farcical Baroque style of Molière while conveying a timeless message about high art versus low art.
TWELFTH NIGHT being the 1602 equivalent of a holiday special, there’s no shortage of booze-riddled merriment in Pig Iron’s revival from the 2011 Fringe Festival.
This is not a play. Therefore this is not a review, but a warning. If you’re looking to sit in a darkened theater watching actors execute a full-length script start-to-finish,…