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• TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. by Kathryn Osenlund
• PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha's production captures her brilliance. by Christopher Munden
• LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story. by Kathryn Osenlund
• IRVING BERLIN’S HOLIDAY INN (Walnut Street Theatre): Longing for a time that never was IRVING BERLIN’S HOLIDAY INN takes us back to a kinder, gentler time when people could burst into song for no reason whatsoever. by Naomi Orwin
• WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... by Smalley Bogg