Martin Zimmerman’s visceral, thoroughly modern, elegant one-woman show inspired by the tragic 2012 Sandy Hook Elementary School mass shooting.
Revisiting Philly theater history through the eyes of one of its finest critics.
Remembering Philadelphia theater history through the eyes of a venerable theater reviewer.
Is there more still left in the playwright’s head that didn’t make it to the stage?
The debate central to Rajiv Joseph’s absorbing new play isn’t just talk: when you lose this one, you really lose.
S&M, Sexual Politics, and SMOKE from a Female Perspective: An interview with Theatre Exile’s Deborah Block
Director Deborah Block discusses her approach to the socio-sexual themes in Theatre Exile’s Philadelphia premiere of Kim Davies’ SMOKE.
Not many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.
“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.
A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO
Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.
Phindie looks at tax returns for local theaters to see how much they brought in from what sources. We also look at who the best paid employee was for each “non-profit”.
Here’s the setup: A young man has lived with his male lover for a few years. During a spat he falls for a woman. Things have gotten complicated and he…
Finding love and self-knowledge beyond the fixed categories of sexual identity (gay, straight, or bi) is the central theme of Michael Bartlett’s COCK, now in its Philadelphia premiere at Theatre…