You can see why Walnut Street Theatre included OLEANNA in its current season.
Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
THERE (Wilma): 2019 Fringe review Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral 
LATE NIGHT SNACKS: Stephanie Blythe (Bearded Ladies): 2019 Fringe review Stephanie Blythe as Blythely Oratonio performing at LATE NIGHT SNACKS 
A MANAYUNK MYSTERY TOUR (Manayunk Theatre Company): 2019 Fringe review Shadowy figures lurk on the dark towpath under the Green Lane Bridge. That would be us. 
ATRYTONE/FIXED (Wings of Paper): 2019 Fringe review Two worthwhile new works of exploration by Alice Hakvaag and Michael Stahler. 
IS THIS A ROOM (Tina Satter/Half Straddle): 2019 Fringe review A brilliant production by Half Straddle based on an FBI transcription Support Phindie operations
This brilliant Kander and Ebb show is about the decadence of Weimar Germany and the rise of Nazism more…
