Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
As someone born in the mid-1980s, I’ve rolled my eyes at the sight of the word “Millennial” more times than I can count. What’s great about Amy Herzog’s 4000 MILES is that she refuses to imprison the characters in any social or political context.