Michael Mastro’s production invigorates David Rush’s play so effectively, you almost don’t notice that each of Rush’s scenes have the same paradigm and general outcome.
View More NUREYEV’S EYES (DTC): Painter and dancer onstageMichael Mastro’s production invigorates David Rush’s play so effectively, you almost don’t notice that each of Rush’s scenes have the same paradigm and general outcome.
View More NUREYEV’S EYES (DTC): Painter and dancer onstage