CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

An uproarious look into the reasons people steal, and why others chase them

The adaptation appropriates the ludicrous plot points and outlandish characters in Arthur Conan Doyle’s opus for a fast and fun theatrical comedy.

Michael Fisher concludes his multi-part review experiment of ARCADIA at the Lantern Theater Company. Was it a success?

Michael Fisher continues his multi-part critical consideration of the Lantern Theater Company’s ARCADIA.

Part 2 of Michael Fisher’s multi-part, multi-week consideration of ARCADIA at the Lantern.

Stoppard’s genius is to permeate his play with deep philosophical contemplation while using the play to explore those same issues.