(SOME) LOVE AND (SOME) INFORMATION (Ira Brind School and Headlong Dance Theater): Fringe Review 9

Staging a Happening used to be straightforward. To jangle the audience out of the role of The Observer, you redefined art from what-I-the-Artist-do-up-here into what-is-happening-between-you-and-me.…

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Photo credit Kate Raines.

COMMUNITAS (Almanac): The Contortionist and the Dancer

The action in COMMUNITAS could be best described as four people taking turns carrying one another around a space, then falling off, then swapping who carries whom. In a way, it is structured around a continual exploration of ways to make two or more people into one. Balance is challenged not by standing on a tight rope, but by joining two bodies at a single point and leaning precipitously apart; disassemble and repeat as necessary.

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Photo by Yi Zhao

THE GARDEN (Nichole Canuso Dance Company): Offer your hand…

Six audience members isn’t an empty house; that’s the full load for Nichole Canuso Dance Company’s THE GARDEN. The basement below us is an expansive concrete stretch, a network of small rooms and squared pillars, and we’re sent down into a smallish room scattered with chairs. We’re invited to sit wherever we like.

View More THE GARDEN (Nichole Canuso Dance Company): Offer your hand…