Maria Marten or The Murder in the Red Barn by the Philadelphia Artist Collective found the silly in the serious
It was interesting to compare last week’s reading of Shakespeare’s THE RAPE OF LUCRECE at the Rosenbach to the original presentation at the Broad Street Ministry in 2016.
BASKERVILLE: A SHERLOCK HOLMES MYSTERY (Walnut Street): Ken Ludwig’s version turns the story on its head
An ancestral manor, a family curse, a fiend: Ken Ludwig’s version turns this Sherlock Holmes story on its head.
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
Shakespeare made simple, and simply fun.
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
PAC’s current production confirms its reputation as the best adaptor of classic works.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
A good production that benefits most when it puts farce aside and concentrates on two people using their will to create partnership and harmony
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
Curio’s production underscores the delusion and the rawness of the lives of the Loman family.
In the wake of the Gunpowder Plot of 1605, Shakespeare is summoned to take on a play commission for the Crown.