Shakespeare made simple, and simply fun.
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
PAC’s current production confirms its reputation as the best adaptor of classic works.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
A good production that benefits most when it puts farce aside and concentrates on two people using their will to create partnership and harmony
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
Curio’s production underscores the delusion and the rawness of the lives of the Loman family.
In the wake of the Gunpowder Plot of 1605, Shakespeare is summoned to take on a play commission for the Crown.
ALTAR CALL begins and ends with hymns, not only setting the mood but, through carefully chosen songs, it sends out thought-provoking messages
Philadelphia Artists Collective has produced some of the finest works of the last few Fringe Festivals. Director Dan Hodge tells us about this year’s offering.
Local theater writers vote for their favorites in twelve categories!
Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.
If Jesus were to appear today, what form would he take? A loving son of God, a Marxist activist, or a corporate exec who wants everyone to be rich?
Dan Hodge’s one-man performance of Shakespeare’s poem RAPE OF LUCRECE is back! And it is not to be missed (again).