Dan Higbee

parrot-talk-review

PARROT TALK (Julius Ferraro): Like a sound wave begging to be heard

PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.

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A Different Type of Theatrical Experimentation: PARROT TALK with Julius Ferraro

Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.

They Extract review

THEY EXTRACT! (Alma’s Engine): Love is a verb

In a dystopian future where love is a tangible commodity, Vera and Woolen fight to keep their love for themselves and each other.

Hannah Van Sciver is The Poet (written by Schnitzler as a male role) in Brenna Geffers’ deconstruction of LA RONDE (Photo credit: Courtesy of the Artists)

LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler

A new site-specific re-envisioning of Schnitzler’s 19th-century play brings post-modern import to his now-historic examination of socio-sexual mores.

VOICES runs at Plays and Players January 29-31, 2015.

VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players): This time we have to succeed

VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.

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THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): 2014 Fringe Review 35

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

Photo credit: Meghann Hickson

Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer

The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.

Alex Bechtel The West

THE WEST Comes to Town: Interview with Creator Alex Bechtel

THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”

Pig Iron Pay Up 2013 Philadelphia Fringe review

[20] PAY UP (Pig Iron Theatre Company with The University of the Arts): Fringe review

This is not a play. Therefore this is not a review, but a warning. If you’re looking to sit in a darkened theater watching actors execute a full-length script start-to-finish,…