Depression and mental collapse run through Sarah Kane’s CRAVE, an indictment and exploration of love presented in a series of late-night showings.
Michael Hollinger and Vance Lemkuhl’s musical is lacking in conflict and complexity.
ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND (dir. Daniel Roher): Film review
Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
When the singing stops on Christmas Eve in bombed-out Europe: Sitting at my computer in Philadelphia, looking back
JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Jenna Kuerzi + Val Dunn): Pirates of the leisure class
OUTSIDE MULLINGAR (DTC): An Irish love story
Support Phindie operations
