Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.
Curtis Institute of Music
The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
LA-based company Diavolo brought two acrobatic pieces to PIFA 2016.
Now in its fifth season, Russian Opera Workshop presents FREE in-concert opera productions of seldom-produced works by leading Russian composers.
BalletX’s Fall Series features three disparate dances united by evocative lighting schemes and the genre-stretching beauty of movement which characterizes the company.
Each of the daring and demanding 14 SEQUENZAS features virtuoso musicians and masterful performances.
WHAT I LEARNED ABOUT OUTER SPACE (Pennsylvania Ballet, Curtis Institute of Music, FringeArts): Fringe Review 14
If dance is a language, it is spoken in a variety of accents. With WHAT I LEARNED ABOUT OUTER SPACE, FringeArts commissioning three contemporary choreographers—Zoe Scofield, Georg Reischl, and Itamar Serussi—to create pieces on PA Ballet dancers.
Dance writer Lew Whittington gives 10 “moving” picks for the 2014 Fringe Festival