Quintessence Theatre dynamically brings to life Mary Shelley’s classic tale of Frankenstein and his monstrous creation in a fantastic, eerily staged production
A remarkably original and gloriously entertaining version of the Marlowe play.
A MIDSUMMER NIGHT’S DREAM (Opera Philadelphia): Fairy magic and flying beds Benjamin Britten's music still sounds wonderfully imaginative and modern 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
What A Lark: The dilettante at large has A MIDSUMMER NIGHT’S DREAM with Opera Philly Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT'S DREAM. 
BETRAYAL (Lantern): Reversal of fortunes Pinter's use of reverse chronology highlights depths beyond the quiet drama and sedate setting. 
GIANTESS: Interview with Genne Murphy, successful PlayPenn dramatist Our series of interviews with prominent PlayPenn playwrights continues... Support Phindie operations
Republished by kind permission from the FringeArts blog This Fringe, two instructors at Philly’s dance studio Urban Movement Arts (UMA) combine their talents in a collage of new solo work designed for folks secretly underwhelmed by new solo work. Coming from diverse dance backgrounds, Lily Kind and Mark “Metal” Wong showcase multidisciplinary work grounded in social and folk dance and “a kind of analytic optimism”. Metal & Kind talked to FringeArts about Indestructible Flowers, the pitfalls of solo dance, and the role of UMA in Philadelphia’s dance and hip-hop scenes. more…
