Christopher Patrick Mullen

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CABARET (Arden): Glücklich zu sehen?

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

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MOON OVER BUFFALO (People’s Light): A few doors short of a farce

Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?

Kittson O'Neil in OR.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

Anthony Lawton as Don Adriano de Armado and Peter Schmitz as Holofernes. Photo by Lee A. Butz.

LOVE’S LABOUR’S LOST (PA Shakes): 60-second review

Republished by kind permission from Neals Paper. Lightning, alas, did not strike two years in a row when it came to Pennsylvania Shakespeare’s grand experiment of mounting one of the…

Keith Hamilton Cobb as Julius Caesar and Spencer Plachy as Mark Antony. Photo by Lee A. Butz

JULIUS CAESAR (PA Shakespeare): A staging come to steal away your hearts

One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.

Photo by Mark Garvin.

METAMORPHOSES (Arden): A swim with the gods

This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.

Anita Vasan as and Richard B. Watson as Phinneas Fogg. Photo by Lee A. Butz.

AROUND THE WORLD IN 80 DAYS (PA Shakespeare): A comic circumnavigation of Verne’s classic

Director Russell Treyz grants quarter to cogent, cohesive storytelling in his production Mark Brown’s adaptation of AROUND THE WORLD IN 80 DAYS for Pennsylvania Shakespeare Festival.

Ian Merrill Peakes as Macbeth with Ben Dibble as Banquo. Photo by Mark Garvin.

MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]

The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.

Ensemble in Arden Theatre Company's production of MACBETH. Photo by Mark Garvin.

MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]

Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.

Judith Lightfoot Clarke as Lady Macbeth with Ian Merrill Peakes as Macbeth. Photo by Mark Garvin.

MACBETH (Arden): Fast but not furious [critical mass review #2]

Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.

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MACBETH (Arden): Bloody bold and resolute [critical mass review #1]

Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.

Christopher Patrick Mullen as Merlyn and Susan McKey as Archimedes in ARTHUR AND THE TALE OF THE RED DRAGON at People’s Light (Photo caption: Mark Garvin)

ARTHUR AND THE TALE OF THE RED DRAGON: A MUSICAL PANTO (People’s Light): Coming of age in the Middle Ages

The family friendly holiday panto takes a wacky look at the growing pains of the future King Arthur as he faces the challenges of life, learning, and leadership.

Kim Carson stars in People’s Light & Theatre Company’s CINDERELLA (Photo credit: Mark Garvin)

CINDERELLA (People’s Light): The Return of an Award-Winning Panto

In celebration of its tenth anniversary season of wintertime pantos People’s Light & Theatre Company in Malvern is presenting a remount of CINDERELLA, its most acclaimed panto to date.

1. Arden, Night Music, CPMullen & GGonglewski, photo MGarvin

The Arden Hits a High Note with A LITTLE NIGHT MUSIC

Stephen Sondheim’s transcendent musical exposé of love, liaisons, and life in 1900 Sweden.