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Tag: Christopher Colucci

Features Interviews Theater

What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre

Henrik Eger February 20, 2020 No Comments

Bernard Havard shares his experiences with his creative team for A WOMAN OF NO IMPORTANCE by Oscar Wilde: 

View More What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre
Reviews Theater

DESCRIBE THE NIGHT (Wilma): Put on your thinking caps

Kathryn Osenlund February 6, 2020 1 Comment

Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT

View More DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
last match
Reviews Theater

THE LAST MATCH (Lantern): Set points

Jessica Foley November 20, 2019 No Comments

Playwright Anna Ziegler drops us deep into an intricate game of high-stakes tennis

View More THE LAST MATCH (Lantern): Set points
60-Second Review Reviews Theater

A SMALL FIRE (PTC): 60-second review

Joshua Herren October 30, 2019 No Comments

Joanie Schultz’s direction centers on masterful and delicate performances by Bebe Neuwirth and John Dossett.

View More A SMALL FIRE (PTC): 60-second review
Reviews Theater

THE NIGHT ALIVE (Inis Nua): 60-second review

Christopher Munden October 12, 2019 No Comments

A quiet, human look at modern isolation

View More THE NIGHT ALIVE (Inis Nua): 60-second review
60-Second Review Reviews Theater

THE RESISTABLE RISE OF ARTURO UI (Lantern): 60-second review

Rudolf Schreiber September 25, 2019 No Comments

A quick, masterful production that would make Brecht proud.

View More THE RESISTABLE RISE OF ARTURO UI (Lantern): 60-second review
Arden Charlotte's Web
Features Theater

Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)

Chuck Schultz January 25, 2019 No Comments

Looking at Arden Childrens Theater in words and sketch

View More Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)
Sweat Philadelphia theater review
Reviews Theater

SWEAT (PTC): What’s the matter with Reading?

Christopher Munden October 19, 2018 No Comments

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

View More SWEAT (PTC): What’s the matter with Reading?
Reviews Theater

PASSAGE (Wilma): Love and death in Country X

Christopher Munden May 1, 2018 No Comments

The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.

View More PASSAGE (Wilma): Love and death in Country X
Features Theater

Theater in Sketch: PASSAGE (Wilma Theater)

Chuck Schultz April 30, 2018 No Comments

PASSAGE reminds sketch artist Chuck Schultz of a painting at the Philadelphia Museum by Sir Lawrence Alma-Tadema.

View More Theater in Sketch: PASSAGE (Wilma Theater)
Marc D. Donovan and Keith J. Conallen in A STEADY RAIN in Walnut Street Theatre's Independence Studio on 3. Photo by Mark Garvin
Reviews Theater

A STEADY RAIN (Walnut St): An intense and engrossing cop show

Toby Zinman February 24, 2018 No Comments

If you’re a fan of TV police procedurals this is the play for you.

View More A STEADY RAIN (Walnut St): An intense and engrossing cop show
Reviews Theater

MORNING’S AT SEVEN (People’s Light): A sorority of acting talent

Neal Zoren for NealsPaper January 25, 2018 No Comments

A delightful comedy that shows an evening and morning in the lives of four sisters

View More MORNING’S AT SEVEN (People’s Light): A sorority of acting talent
Features Reviews Theater

Theater in Sketch: MORNING’S AT SEVEN (People’s Light)

Chuck Schultz January 23, 2018 1 Comment

Paul Osborne’s 1939 comedy gets a new production in Malvern, PA.

View More Theater in Sketch: MORNING’S AT SEVEN (People’s Light)
Reviews Theater

THE CRAFTSMAN (Lantern): Crafting a good story

Christopher Munden November 16, 2017 No Comments

Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.

View More THE CRAFTSMAN (Lantern): Crafting a good story
Reviews Theater

THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati

Kathryn Osenlund June 13, 2017 2 Comments

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

View More THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
Reviews Theater

MAURITIUS (Act II): Feeling the philatelia

Lauren Hartranft November 8, 2016 No Comments

Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS

View More MAURITIUS (Act II): Feeling the philatelia
Fringe Festival Fringe reviews Reviews Theater

KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

Christopher Munden September 25, 2016 No Comments

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

View More KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
Fringe Festival Theater

Fringe in Sketch: SHADOW HOUSE

Chuck Schultz September 18, 2016 No Comments

SHADOW HOUSE was an impressive immersive piece

View More Fringe in Sketch: SHADOW HOUSE
Dance Features Fringe Festival Theater

International Fringe 2016: A welcome to theater from around the world, including refugees

Henrik Eger September 18, 2016 No Comments

The International Philly Fringe: A welcome to 28 countries

View More International Fringe 2016: A welcome to theater from around the world, including refugees
Fringe Festival Fringe reviews Reviews Theater

SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2

Joshua Millhouse September 10, 2016 No Comments

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

View More SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2

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