The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

SHADOW HOUSE was an impressive immersive piece

The International Philly Fringe: A welcome to 28 countries

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.

An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.

Charles McMahon discusses the inspiration, themes, and format of his new play on Oscar Wilde, prior to its world premiere with Lantern Theater Company.

This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.

No one captures the timbre of hometown Philadelphia better than playwright Bruce Graham, and nowhere is that more evident than in this regional premiere.

The adaptation appropriates the ludicrous plot points and outlandish characters in Arthur Conan Doyle’s opus for a fast and fun theatrical comedy.

Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40

A stakeout goes awry with hilarious consequences in UNNECESSARY FARCE at Act II Playhouse.

Not many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.

Flashpoint Theatre Company brings back its signature show for the holidays, David Sedaris’s THE SANTALAND DIARIES, for a ten-performance pre-Christmas run.

John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle

Love, betrayal, vengeance, and death are the themes of Federico García Lorca’s Spanish Symbolist tragedy, BLOOD WEDDING.

Phindie spoke to Damon Bonetti, a founding member of the Philadelphia Artists’ Collective and director of PAC’s latest offering, Frederico Garcia Lorca’s BLOOD WEDDING.