Looking at Arden Childrens Theater in words and sketch

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.

PASSAGE reminds sketch artist Chuck Schultz of a painting at the Philadelphia Museum by Sir Lawrence Alma-Tadema.

If you’re a fan of TV police procedurals this is the play for you.

A delightful comedy that shows an evening and morning in the lives of four sisters

Paul Osborne’s 1939 comedy gets a new production in Malvern, PA.

Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

SHADOW HOUSE was an impressive immersive piece

The International Philly Fringe: A welcome to 28 countries

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.

An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.

Charles McMahon discusses the inspiration, themes, and format of his new play on Oscar Wilde, prior to its world premiere with Lantern Theater Company.

This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.

No one captures the timbre of hometown Philadelphia better than playwright Bruce Graham, and nowhere is that more evident than in this regional premiere.