Christopher Colucci

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KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

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Fringe in Sketch: SHADOW HOUSE

SHADOW HOUSE was an impressive immersive piece

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Photo credit: RA Friedman

SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

4. Chris Davis, Apocalypse Now, pto Maria Shaplin

Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

Jennifer Childs as Abbey

I WILL NOT GO GENTLY (1812): Rage, rage against the dying of the light

The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.

Aaron Cromie and Ian Merrill Peakes in Walnut Street Theatre’s PETER AND THE STARCATCHER (Photo credit: Mark Garvin).

PETER AND THE STARCATCHER (Walnut): A wacky look at the backstory of Peter Pan

An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.

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Chatting with the Lantern’s Charles McMahon about his new play on Oscar Wilde

Charles McMahon discusses the inspiration, themes, and format of his new play on Oscar Wilde, prior to its world premiere with Lantern Theater Company.

Photo by Mark Garvin.

METAMORPHOSES (Arden): A swim with the gods

This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.

1. PL&TC, STELLA AND LOU, Marcia Saunders, Tom Teti, phto Mark Garvin

STELLA AND LOU (People’s Light): A middle-aged rom-com with South Philly attitude

No one captures the timbre of hometown Philadelphia better than playwright Bruce Graham, and nowhere is that more evident than in this regional premiere.

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THE HOUND OF THE BASKERVILLES (Lantern): 60-second review

The adaptation appropriates the ludicrous plot points and outlandish characters in Arthur Conan Doyle’s opus for a fast and fun theatrical comedy.

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AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun

Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40

Agent Frank (Akeem Davis), Officer Eric Sheridan (Anthony
Lawton), Mrs. Meekly (Gerri Weagraff), and Todd (Jake Blouch) can't
believe what they are watching in Act II Playhouse's production of
"Unnecessary Farce," now extended until March 29. Photo by Mark Garvin.

UNNECESSARY FARCE (Act II): 60-second review

A stakeout goes awry with hilarious consequences in UNNECESSARY FARCE at Act II Playhouse.

Liz (Kate Czajkowski) and Charlie (Scott Greer) in Theatre Exile's THE WHALE by Samuel D. Hunter. Photo credit: Paola Nogueras.

THE WHALE (Theatre Exile): Intelligence and transformation moving under the surface

Not many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.

Keith Conallen as Crumpet in Flashpoint’s THE SANTALAND DIAIRES (Photo credit: Courtesy of Flashpoint Theatre Company)

THE SANTALAND DIARIES (Flashpoint): The return of a hilarious holiday tradition

Flashpoint Theatre Company brings back its signature show for the holidays, David Sedaris’s THE SANTALAND DIARIES, for a ten-performance pre-Christmas run.

David Howey and Beth Dixon in PTC’s OUTSIDE MULLINGAR (Photo credit: Mark Garvin)

OUTSIDE MULLINGAR (PTC): Land, loss, and love in rural Ireland

John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle

Victoria Rose Bonito and J Hernandez star in BLOOD WEDDING (Photo credit: Kate Raines/PLATE 3 Photography)

BLOOD WEDDING (PAC/MPiRP): A symbiotic relationship between the arts and education

Love, betrayal, vengeance, and death are the themes of Federico García Lorca’s Spanish Symbolist tragedy, BLOOD WEDDING.

Director Damon Bonetti, captured during last night's "Blood Wedding" rehearsal, by Drexel photography student Cindi Landmesser.

PAC’s Damon Bonetti on BLOOD WEDDING: “Peace in a cruel world”

Phindie spoke to Damon Bonetti, a founding member of the Philadelphia Artists’ Collective and director of PAC’s latest offering, Frederico Garcia Lorca’s BLOOD WEDDING.

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The winners of the 2014 Barrymore Awards…

From about 100 entries, winners in twenty-two categories were selected by a panel of twelve judges and announced at the Barrymore Awards ceremony tonight. InterAct Theatre’s Down Past Passyunk won top…

William Zielinski and Kevin Bergen in ROW AFTER ROW at People’s Light (Photo credit: Mark Garvin)

ROW AFTER ROW (People’s Light): Finding the courage to fight and to heal

Local-born playwright Jessica Dickey considers the humor and heartache of mustering the courage to fight in an insightful comedy about three Civil War re-enactors.