Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)
Looking at Arden Childrens Theater in words and sketch
Christopher Colucci
SWEAT (PTC): What’s the matter with Reading?
Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?
PASSAGE (Wilma): Love and death in Country X
The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.
Theater in Sketch: PASSAGE (Wilma Theater)
PASSAGE reminds sketch artist Chuck Schultz of a painting at the Philadelphia Museum by Sir Lawrence Alma-Tadema.
A STEADY RAIN (Walnut St): An intense and engrossing cop show
If you’re a fan of TV police procedurals this is the play for you.
MORNING’S AT SEVEN (People’s Light): A sorority of acting talent
A delightful comedy that shows an evening and morning in the lives of four sisters
Theater in Sketch: MORNING’S AT SEVEN (People’s Light)
Paul Osborne’s 1939 comedy gets a new production in Malvern, PA.
THE CRAFTSMAN (Lantern): Crafting a good story
Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.
THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
MAURITIUS (Act II): Feeling the philatelia
Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS
KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains
Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
I WILL NOT GO GENTLY (1812): Rage, rage against the dying of the light
The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.
PETER AND THE STARCATCHER (Walnut): A wacky look at the backstory of Peter Pan
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
Chatting with the Lantern’s Charles McMahon about his new play on Oscar Wilde
Charles McMahon discusses the inspiration, themes, and format of his new play on Oscar Wilde, prior to its world premiere with Lantern Theater Company.
METAMORPHOSES (Arden): A swim with the gods
This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.
STELLA AND LOU (People’s Light): A middle-aged rom-com with South Philly attitude
No one captures the timbre of hometown Philadelphia better than playwright Bruce Graham, and nowhere is that more evident than in this regional premiere.
