Christina Gesualdi

A Web Series Irina Varina Made Instead of Thinking About Men

Irina Varina gives a behind-the-scenes look at her unique new series, part of the Free Fringe

Credit: Will Drinker

EXPLICIT FEMALE (Here[begin] Dance): 2016 Fringe review 73

Zornitsa Stoyanova asks us to consider the female body as embodiment of generations of ancestral procreation, a host for the alien parasites of new generations, and—through a glass, darkly—as a sexual object.

DUST (Megan Bridge/FringeArts): All we are

Evidence of life. Enemy of the domestic goddess. Culprit of hay fever. The stuff we’re all destined for. DUST has connotations both mundane and eternal.

Phindie's Official Fringe Bike Tour

The Fringe in nine and a half hours: the Phindie Fringe Bike Tour Diaries (part two)

Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.

LOVERTITS (Annie Wilson): 2014 Fringe review 86

The topic of Annie Wilson’s LOVERTITS is the female body. But the bodies are at turns irreverent, nonchalant, non-sexualized.

A MICROFESTIVAL OF STUBBORN OCCASIONS (Mascher Space Co-op): The moment doesn’t exist

This is in Kensington, on the closing night of Mascher Space Cooperative’s Microfestival of Stubborn Occasions: a set of performances described as “a space where choreography is given permission to exist in the in-betweens.” Two shows are on the docket for tonight, Foster’s #JANEGOODALLDRAMA and Christina Gesualdi’s MY NEBULOUS SOLO.