Cocktails, dinner, and top-class dance.
In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017
Like other masterpieces of ballet, SUNSET, O639 HOURS grows by itself and lets the dancers grow.
Eri Yoneda interviews the lead dancers of BalletX’s popular contemporary full-length
WITH FLINT AND STEEL, this year’s Fringe offering by experimental music and dance group duende, consists of seven separate pieces, each by a different choreographer.
The International Philly Fringe: A welcome to 28 countries
A highly experimental, improvisational, and fascinating Fringe performance
Philadelphia’s most innovative and thrilling dance company brings yet another spark to the Wilma Theater.
BalletX celebrated its annual fundraiser on the Top of the Tower, with a 360 degree view of the city of Brotherly Love, .
BalletX, kicks off their inaugural 10th season with the Fall Series 2015 with a world premiere by internationally acclaimed choreographer, Nicolo Fonte.
BalletX is on fire. Their winter series provides Philadelphia with the perfect antidote to the cold-weather blues.
BalletX’s Fall Series features three disparate dances united by evocative lighting schemes and the genre-stretching beauty of movement which characterizes the company.
With his BalletX summer program SUNSET, O639 HOURS, a long-form narrative ballet, choreographer Matthew Neenan unveiled taps new creative veins, steering clear of all his choreographic safe zones.
Shut Up & Dance 2014 benefit for MANNA proved one for the books. Every year the performance is typically wonderful for a number of reasons, primary among them its great sense of Philly community spirit in support of MANNA and not the least of which is the esprit of the participating dancers. Some years are standouts artistically and this was just one of those years.
Earlier this month BalletX dancers had their pointe shoes ready for a rehearsal for Matthew Neenan’s ballet There I Was. The piece showcases how inventive, within and out of specific pointe shoe classicism, Neenan can be. Even though it is weeks before the opening There I Was looks ready, Neenan only moved around to cue a specific music change, apologizing to the dancers for the pause.