Chloe Felesina

balletx winter series

Winter Series 2017 (BalletX): Exploring and experimenting

In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017

Photography by Alexander Iziliaev.; Pictured: Zachary Kapeluck

SUNSET, O639 HOURS (BalletX): A ballet masterpiece

Like other masterpieces of ballet, SUNSET, O639 HOURS grows by itself and lets the dancers grow.

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Ready for the Next Flight: BalletX reprises SUNSET, o639 HOURS

Eri Yoneda interviews the lead dancers of BalletX’s popular contemporary full-length

Photo by Bill Hebert

WITH FLINT AND STEEL (duende): 2016 Fringe review 85

WITH FLINT AND STEEL, this year’s Fringe offering by experimental music and dance group duende, consists of seven separate pieces, each by a different choreographer.

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Pictured: Gabriel Cabezas, Chloe Felesina, Edgar Anido, Emilie-Anne Gendron    Photo Credit: Bill Hebert

WITH FLINT AND STEEL (Duende): 2016 Fringe review 57

A highly experimental, improvisational, and fascinating Fringe performance

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SUMMER SERIES 2016 (BalletX): Lost in the unreal moment

Philadelphia’s most innovative and thrilling dance company brings yet another spark to the Wilma Theater.

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SPRING SERIES (BalletX): Ten Years On

BalletX has been around for ten years and they have much to celebrate.

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BALLETX THE PREMIER PARTY 2016: Creating a deeper human connection through contemporary dance

BalletX celebrated its annual fundraiser on the Top of the Tower, with a 360 degree view of the city of Brotherly Love, .

Chloe Felesina, Zachary Kapeluck and Company in Nicolo Fonte's "Beasts". Photo by Bill Hebert

FALL SERIES 2015 (BalletX): Nature and nurture through breathtaking dancers

BalletX, kicks off their inaugural 10th season with the Fall Series 2015 with a world premiere by internationally acclaimed choreographer, Nicolo Fonte.

Chloe Felesina and Edgar Anido in Adam Hougland's When We're Alone.
Photo by Alexander Iziliaev

SUMMER SERIES (BalletX): Summertime satisfaction

The program is packed everything from serious to funny: tap, swing and jazz, all thoroughly infused with and supported by the dancers’ strong foundation in classical ballet.

Photo by: Alexander Iziliaev

WINTER SERIES 2015 (BalletX): Sizzling Despite the Snow

BalletX is on fire. Their winter series provides Philadelphia with the perfect antidote to the cold-weather blues.

Andrea Yorita (and musicians) in Matthew Neenan's "Increasing" Photo by: Bill Hebert

Fall Series (BalletX): Darkness on the edge of ballet

BalletX’s Fall Series features three disparate dances united by evocative lighting schemes and the genre-stretching beauty of movement which characterizes the company.

Chloe Felesina dancing for BalletX. Photo by Alexander Iziliaev.

BalletX Shines at Art After 5

The performance encapsulated the company’s signature combination of strong technique and quirky choreography.

Photography by Alexander Iziliaev.; Pictured: Zachary Kapeluck

SUNSET, O639 HOURS (BalletX): Neenan blazes into sunset

With his BalletX summer program SUNSET, O639 HOURS, a long-form narrative ballet, choreographer Matthew Neenan unveiled taps new creative veins, steering clear of all his choreographic safe zones.

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A benefit night to remember – Shut Up & Dance 2014

Shut Up & Dance 2014 benefit for MANNA proved one for the books. Every year the performance is typically wonderful for a number of reasons, primary among them its great sense of Philly community spirit in support of MANNA and not the least of which is the esprit of the participating dancers. Some years are standouts artistically and this was just one of those years.

Matthew Neenan

BalletX’s Matthew Neenan downshifts for THERE I WAS

Earlier this month BalletX dancers had their pointe shoes ready for a rehearsal for Matthew Neenan’s ballet There I Was. The piece showcases how inventive, within and out of specific pointe shoe classicism, Neenan can be. Even though it is weeks before the opening There I Was looks ready, Neenan only moved around to cue a specific music change, apologizing to the dancers for the pause.