Charlotte Northeast

Krista Apple-Hodge as Queen Elizabeth I. (Photo credit: Plate3Photography)

MARY STUART (PAC): The Prison of Power

Philadelphia Artist Collective’s tightly-corseted production of Frederich Schiller’s Mary Stuart, starring the earth-shattering Charlotte Northeast and the finely-tuned Krista Apple Hodge will leave you white-knuckle-gripping the edge of your seat. Sitting in a severe theater-in-the-round circle, the audience itself forms four oppressive walls seemingly trapping the actors on the Broad Street Ministry’s cherry wood floor. If Schiller were alive today, he would raise a thumb in approval of director Dan Hodge’s minimalist approach.

Krista Apple-Hodge portrays Queen Elizabeth I in the PAC’s MARY STUART (Photo credit: Kate Raines, Plate 3 Photography)

The Women of The PAC’s MARY STUART

The Philadelphia Artists’ Collective concludes its 2013-14 season with Friedrich Schiller’s MARY STUART, directed by PAC co-founding artistic director Dan Hodge (whose previous credits include the company’s potent inaugural production of THE DUCHESS OF MALFI in 2010).

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SNOWGLOBE (MacKnight Foundation): 60-second review

With clever repartee, SNOWGLOBE cleverly tackles deep existential questions. Under Bill McKinlay’s direction, the actors bring life and nuance to the clever Beckettian back-and-forth.

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EMMA (Lantern): Meddlesome Matchmaking and Regency Amusements

The Lantern opens its twentieth anniversary season with the Philadelphia premiere of Jane Austen’s class-conscious romantic comedy of manners, in which a young idle-rich heroine’s matchmaking and meddling go awry…

Lantern Theater Company's production of Jane Austen's EMMA review

EMMA (Lantern): Philly falls for Austenmania

Over the past few years, there’s been a surprising and unlikely spark of interest in Jane Austen. Austen’s novels—Pride & Prejudice, Sense & Sensibility, Persuasion, et al—have been required reading for over…

Dan Hodge as Adolph and Krista Apple as Tekla in the PAC’s CREDITORS, featuring a sculpture by Roger Wing on the table (Photo credit: David Comdico)

CREDITORS (Philadelphia Artists’ Collective): Everything Great Theater Should Be

August Strindberg’s CREDITORS is a revenge tragedy of classic proportions, a modern descendant of the ancient Greeks and Shakespeare. His unnerving story of a love triangle in late 19th-century Sweden…