Charlie DelMarcelle

Lantern Theater Company Coriolanus

CORIOLANUS (Lantern): Succeeding with a Shakespeare many companies wouldn’t attempt

With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience

3. Arden, Funnyman, KConallen, CWallnau, phto MGarvin

FUNNYMAN (Arden): Comedy on the brink of tragedy

A new play by Bruce Graham considers the sadness that often underlies comedy and the need to adapt to changing styles and the struggles of life.

Bruce Graham.

Second Acts: Top Philly playwright Bruce Graham talks FUNNYMAN and life in the theater

When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.

Upcoming Readings

  What: How Green Was My Valley with music by Roger Ames and book and lyrics by Elizabeth Bassine; The Gig with music, book, and lyrics by Doug Cohen; and A Good Man with music by…

Akeem Davis, Amanda Jensen, Rachel Brodeur, Laurel Grace Hostak and Javier Mojica. Photo by Christopher M. Colucci

Santa Colucci and His Merry Philadelphia Theater Elves: Behind the scenes of a holiday video

Interview with Christopher Colucci about the making of a holiday

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HOOKED (Inis Nua): A pub play in a pub

Entertaining for anyone looking for a fun and a little different night at the pub, or just an excuse to spend the night at the pub.

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Old Friends and Frequent Collaborators Get HOOKED! An interview with Tom Reing and Charlie DelMarcelle

Director Tom Reing and actor Charlie DelMarcelle talk about their childhood, their collaborations, and Inis Nua’s upcoming production of HOOKED!

Charlie DelMarcelle (the Lord) and Leonard Kelly (Sly) in Delaware Shakespeare Festival’s THE TAMING OF THE SHREW (Photo credit: Alessandra Nicole)

THE TAMING OF THE SHREW (Delaware Shakespeare): The people’s choice!

Shakespeare’s comedic battle of the sexes was the audience choice for this year’s outdoor summer production by the Delaware Shakespeare Festival.

1. Arden, Jungle Book, TCanales, TFitzpatrick, CDelMarcelle, photo MGarvin

THE JUNGLE BOOK (Arden): Merging morals with make-believe

Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.

The Nimble Cats

Theater Artists Making Beautiful Music in NY and Philly

The theater community contains a wealth of multi-talented artists who are not only gifted actors, but also highly skilled singers, musicians, and composers.

Leigha Kato, who plays Rapunzel and Little Red Riding Hood in Theatre Horizon's INTO THE WOODS.

INTO THE WOODS (Theatre Horizon): Agony is ecstasy

Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.

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THE GLASS MENAGERIE (Act II): 60-second review

Tennessee Williams’ classic story comes to life on the stage of Act II Playhouse.

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The winners of the 2014 Barrymore Awards…

From about 100 entries, winners in twenty-two categories were selected by a panel of twelve judges and announced at the Barrymore Awards ceremony tonight. InterAct Theatre’s Down Past Passyunk won top…

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BENGAL TIGER AT THE BAGHDAD ZOO (Temple Theaters): Fringe Review 61.2

Throughout, the play is ridden with fearful moments, guilty consciences, and serious reflections of what life may be like for creatures being surrounded by uneasiness and pain.

BENGAL TIGER AT THE BAGHDAD ZOO (Temple Theaters): Fringe Review 61.1

Everything about BENGAL TIGER AT THE BAGHDAD ZOO asserts the production as one of the best works in this year’s Fringe.

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2013/14 Critics’ Awards: The best in Philadelphia theater

For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.

Photo credit: Katie Reing

MIDSUMMER (Inis Nua): A Dream of a Rom-Com

Closing its 2013-14 season of funny and poignant contemporary two-handers with one-word titles (the excellent BLINK and TROUSERS—see Phindie reviews here and here, respectively—were the previous productions), Inis Nua presents…

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A CHILD’S CHRISTMAS IN WALES (Lantern): 60-second review

Dylan Thomas’s poem A CHILD’S CHRISTMAS IN WALES runs the risk of becoming sticky-sweet with nostalgia, and it is director Sebastienne Mundheim’s idiosyncratic vision, and the spot-on instincts of her actors, which…

Charlie DelMarcelle, Geneviève Perrier, Amy Smith, and Doug Hara in the Lantern’s A CHILD’S CHRISTMAS IN WALES (Photo credit: Mark Garvin)

A CHILD’S CHRISTMAS IN WALES (Lantern): Idyllic visions of a holiday past

Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.

Charlie DelMarcelle. Photo by matthewjphoto.com

I AM MY OWN WIFE (Theatre Horizon): A story of perserverance

In Berlin in the wake of German reunification, American John Marks writes to his friend “Doug Wright” (I AM MY OWN WIFE’s playwright) about the eccentric Charlotte. Having “grown up gay in the Bible Belt”, Wright is fascinated by the transgender Berliner and spends grant money and savings to pay her a series of visits, hoping to turn his interviews into a play.

As related in act one of this short two-act piece, Charlotte’s tale fascinates Wright (and the Theatre Horizon audience).