With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.
Interview with Christopher Colucci about the making of a holiday
Old Friends and Frequent Collaborators Get HOOKED! An interview with Tom Reing and Charlie DelMarcelle
Director Tom Reing and actor Charlie DelMarcelle talk about their childhood, their collaborations, and Inis Nua’s upcoming production of HOOKED!
Shakespeare’s comedic battle of the sexes was the audience choice for this year’s outdoor summer production by the Delaware Shakespeare Festival.
Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.
The theater community contains a wealth of multi-talented artists who are not only gifted actors, but also highly skilled singers, musicians, and composers.
Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.
Throughout, the play is ridden with fearful moments, guilty consciences, and serious reflections of what life may be like for creatures being surrounded by uneasiness and pain.
Everything about BENGAL TIGER AT THE BAGHDAD ZOO asserts the production as one of the best works in this year’s Fringe.
For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.
Dylan Thomas’s poem A CHILD’S CHRISTMAS IN WALES runs the risk of becoming sticky-sweet with nostalgia, and it is director Sebastienne Mundheim’s idiosyncratic vision, and the spot-on instincts of her actors, which…
Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.
In Berlin in the wake of German reunification, American John Marks writes to his friend “Doug Wright” (I AM MY OWN WIFE’s playwright) about the eccentric Charlotte. Having “grown up gay in the Bible Belt”, Wright is fascinated by the transgender Berliner and spends grant money and savings to pay her a series of visits, hoping to turn his interviews into a play.
As related in act one of this short two-act piece, Charlotte’s tale fascinates Wright (and the Theatre Horizon audience).