Cathy Simpson

BURIED CHILD (EgoPo): A powerful production of a difficult play

It’s very satisfying to see this 1978 play revived; it still speaks to us and to the American condition

Six Questions for Six Directors: John O’Hara’s 12 CHAIRS gets a revamped production

Female-centric theater group ReVamp Collective presents 12 CHAIRS.

KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

Upcoming Readings

  What: How Green Was My Valley with music by Roger Ames and book and lyrics by Elizabeth Bassine; The Gig with music, book, and lyrics by Doug Cohen; and A Good Man with music by…

IN THE BLOOD (Theatre Horizon): Social satire in the service of compassion

Suzan-Lori Parks’ post-modern re-envisioning of Nathaniel Hawthorne’s The Scarlet Letter addresses the theme of destiny, the tragedy of poverty, and the societal need for compassion in a provocative in-your-face production

VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players): This time we have to succeed

VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.

Conversations on Chekhov: What gimmicks? The Arden’s THREE SISTERS has a lasting effect

In September of 1900 Anton Chekhov confessed in a letter to his actress-wife Olga Knipper: “I find it very difficult to write THREE SISTERS, much more difficult than any other of my…