Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Ralph Malachowski see’s the Pride Night performance of Sam Shepard’s SIMPATICO.
Simpatico Theatre Company’s production of HIR by Taylor Mac challenges audiences to reconsider preconceptions of gender identity
Author’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling. These elements often work to…
Support Phindie operations
SUNSET BOULEVARD (Media Theatre): Ann Crumb as Norma Desmond, the delusional diva Few singers can do what Ann Crumb can do, namely to transform herself in such versatile ways that people follow her wherever she goes, wheth... 
Philadelphia Theater Calendar September 2017 What's onstage this month? 
Theater in Sketch: MARIA MARTEN, or The Murder in the Red Barn (PAC) Maria Marten or The Murder in the Red Barn by the Philadelphia Artist Collective found the silly in the serious 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
A Brief History of Early Publishing in Philadelphia Early publishing in Philadelphia has a rich and storied history. William Penn founded Philadelphia in 1682; within three years the nasce... 
Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013 job market. Irony sucker punched me in the mouth when I looked around the audience and realized, the overworked, underpaid uninsured young adults represented in this play were largely absent, because, well, they were probably working. To people lucky enough to have a job today, killing themselves for $10 an hour before taxes reading this on a rare smoke break I say: more…
