Caili Quan

balletx winter series

Winter Series 2017 (BalletX): Exploring and experimenting

In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017

Photography by Alexander Iziliaev.; Pictured: Zachary Kapeluck

SUNSET, O639 HOURS (BalletX): A ballet masterpiece

Like other masterpieces of ballet, SUNSET, O639 HOURS grows by itself and lets the dancers grow.

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Ready for the Next Flight: BalletX reprises SUNSET, o639 HOURS

Eri Yoneda interviews the lead dancers of BalletX’s popular contemporary full-length

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SUMMER SERIES 2016 (BalletX): Lost in the unreal moment

Philadelphia’s most innovative and thrilling dance company brings yet another spark to the Wilma Theater.

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BALLETX THE PREMIER PARTY 2016: Creating a deeper human connection through contemporary dance

BalletX celebrated its annual fundraiser on the Top of the Tower, with a 360 degree view of the city of Brotherly Love, .

Chloe Felesina, Zachary Kapeluck and Company in Nicolo Fonte's "Beasts". Photo by Bill Hebert

FALL SERIES 2015 (BalletX): Nature and nurture through breathtaking dancers

BalletX, kicks off their inaugural 10th season with the Fall Series 2015 with a world premiere by internationally acclaimed choreographer, Nicolo Fonte.

BalletX dancer Caili Quan. Photo by Bill Hebert.

IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58

Staged in the American Art Galleries in the Philadelphia Museum of Art, this interactive pop-up work of art, gives a new insight into how to “experience” the visual arts. Audience members are…

Andrea Yorita (and musicians) in Matthew Neenan's "Increasing" Photo by: Bill Hebert

Fall Series (BalletX): Darkness on the edge of ballet

BalletX’s Fall Series features three disparate dances united by evocative lighting schemes and the genre-stretching beauty of movement which characterizes the company.

Matthew Neenan

BalletX’s Matthew Neenan downshifts for THERE I WAS

Earlier this month BalletX dancers had their pointe shoes ready for a rehearsal for Matthew Neenan’s ballet There I Was. The piece showcases how inventive, within and out of specific pointe shoe classicism, Neenan can be. Even though it is weeks before the opening There I Was looks ready, Neenan only moved around to cue a specific music change, apologizing to the dancers for the pause.