Nicolo Fonte’s choreography for Beautiful Decay includes parts for two older dancers, Brigitta Herrmann and Manfred Fischbeck. Sketches by Chuck Schultz.
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PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha's production captures her brilliance. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
On May 6 this reviewer took in the second of three play readings in Theatre Exile’s New Play Development Series. On tap was FLESH, celebrated local playwright Michael Hollinger’s work-in-progress. Because this was a reading, I can’t discuss the substance of the play, but I can relate that even though the four actors basically sat in a row reading for about two hours (including a laid-back intermission with beer), Bill Rahill, Genevieve Perrier, Akeem Davis, and Kimberly Fairbanks sparked this solid play to life. more…
