GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.

Looking at Arden Childrens Theater in words and sketch

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

A version of this review was also published on Foley Got Comped. Irish Heritage Theatre is purely a labor of love. All of the company members have day-jobs, rehearse 25…

Encourages its audience to pay attention, and compels us into conversation afterward.

Revolution Shakespeare has put together a truly all-star line-up for its promotional video for KING JOHN, this year’s fall Shakespeare production in Hawthorne Park.

An elderly Jewish lady and a young African American strike up an unexpected and unusual friendship.

Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.

Performers past and present share their thoughts and memories on a decade of Shakespeare in Clark Park.

As the nation mourns the victims of over-zealous policing, Flashpoint Theatre Company’s HANDS UP attempts to make sense of this injustice.

Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.

The Philadelphia Orchestra and the Philadelphia Shakespeare Theatre are giving each other greeting cards, buying each other flowers, and teaming up for a one-night-only concert of music and performance.

Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.

The 2nd production by People’s Light from Wilson’s “Century Cycle”, FENCES is an engaging and profound examination of very human characters dealing with very challenging circumstances,

Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.

MAN OF LA MANCHA is a play within a play. The production is the clear result of what happens when a group of professionals pour their talents into a common goal.

The tragic news of Phillip Seymour Hoffman’s death by OD has, for the moment, wrested the subject of substance abuse from the shadows and thrust it into the limelight. With…

Every week there seems to be another news story about the dangers of NFL football. The average career length for an outfield offensive player (running back, wide receiver) is under…

Four hundred years after his death, William Shakespeare remains the world’s most produced playwright. For evidence of his enduring popularity look no further than the region’s stages: there are at least five…