Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.

. For their fifth Festival production, the company continues its tradition of producing fiercely modern takes on lesser-known Shakespeare works with Troilus and Cressida.

Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.

Discomfort is the name of the game here, but to what purpose?

This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.

Welcome to Philadelphia, international Fringe artists.

Philadelphia theater writers choose their favorite plays of the last season.

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.

SHADOW HOUSE was an impressive immersive piece

The International Philly Fringe: A welcome to 28 countries

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.

A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.

Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.

A new site-specific re-envisioning of Schnitzler’s 19th-century play brings post-modern import to his now-historic examination of socio-sexual mores.

o subtitles necessary to hear praises sung for women astronomers of the late 19th century.

An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.

Local theater writers vote for their favorites in twelve categories!