Brenna Geffers

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Meg and Dana Are Troilus and Cressida in RevShakes Non-traditional Fringe Casting

. For their fifth Festival production, the company continues its tradition of producing fiercely modern takes on lesser-known Shakespeare works with Troilus and Cressida.

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MARIE ANTOINETTE (Curio): You say you want a revolution?

Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.

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REALLY (Theatre Exile): Camera obscura

Discomfort is the name of the game here, but to what purpose?

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TWO GENTLEMEN OF VERONA (EgoPo): High-spirited and delightfully messy

This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.

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2016-2017 Phindie Critics’ Awards

Philadelphia theater writers choose their favorite plays of the last season.

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Theater in Sketch: ANNA (EgoPo)

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

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DELIRIUM (EgoPo): 60-second review

At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.

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Fringe in Sketch: SHADOW HOUSE

SHADOW HOUSE was an impressive immersive piece

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Photo credit: RA Friedman

SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

4. Chris Davis, Apocalypse Now, pto Maria Shaplin

Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

Mary Tuomanen, xx, and Ross Beschler in MACHINAL. Photo by Dave Sarrafian)

MACHINAL (EgoPo): Welcome to the machine

A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.

Anthony Crosby and Amanda Schoonover in Simpatico’s THE IT GIRL (Photo credit: Kate Raines/Plate 3 Photography)

THE IT GIRL (Simpatico): Sounds of silence that still resonate

A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.

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K.O. DelMarcelle: Maintaining versatility with an eye on the future

Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.

Hannah Van Sciver is The Poet (written by Schnitzler as a male role) in Brenna Geffers’ deconstruction of LA RONDE (Photo credit: Courtesy of the Artists)

LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler

A new site-specific re-envisioning of Schnitzler’s 19th-century play brings post-modern import to his now-historic examination of socio-sexual mores.

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JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2

o subtitles necessary to hear praises sung for women astronomers of the late 19th century.

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JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1

An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.

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2014/15 Critics’ Awards: The best in Philadelphia theater

Local theater writers vote for their favorites in twelve categories!

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Theater’s Second Sex: Caridad Svich on playwriting as a woman, as an act of political resistance, and for the first Philadelphia Women’s Theatre Festival

When Caridad Svich decided to be a playwright, she read every playwright in the public library. Only one of them was a woman. Svich talks to Phindie ahead of the PWTF.