Bradley Wrenn

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IT’S SO LEARNING (Berserker Residents): Will this be on the test?

The Berserker Residents take us back to school

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IT’S SO LEARNING is Even Berserker!

Republished by kind permission from FringeArts. Bradley Wrenn, co-founder of The Berserker Residents, talks about how the company is revamping their 2015 Fringe hit It’s So Learning to reflect our new, terrifying…

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Young People Speaking Truth: A talk with Mantua Theater Project’s Nick Anselmo

Addressing the needs of the communities in West Philadelphia through self-esteem building experiences for youth in theater.

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There’s No Place Like Home: Revolutionary performances by Automatic Arts

The best showcase for new performing arts in Philadelphia gets Revolutionary with an evening of beer and performance at Cliveden

4. Chris Davis, Apocalypse Now, pto Maria Shaplin

Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

2. Berserkers, its so learning, BWrenn, DFalato, phto KRaines

IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51

Go back to school with The Berserker Residents in this highly interactive ensemble-devised piece, in which you are the student and your teachers are berserk!

Promotional image for Sam Tower + Ensemble’s 901 NOWHERE STREET, with Emilie Krause (Photo credit: Lauren Tuvell)

Deb Miller’s 15 Top Picks for the 2015 Fringe Festival

Top Philly theater writer Deb Miller previews the best of the 2015 Philadelphia Fringe Festival.

1. Lantern, Taming of the Shrew, Joanna Liao, J Hernandez, phto Mark Garvin

THE TAMING OF THE SHREW (Lantern): Capturing the passion and the parody

Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.

THE TALKBACK (The Berserker Residents)

[56.2] THE TALKBACK (Berserker Residents): Fringe review

You know that scene at the end of The Matrix (spoiler alert) where Neo sees the green code and jumps into Agent Smith’s belly and makes him explode, and then calls somebody…

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Philadelphia’s BRAT Productions makes the theater of the absurd even more absurd

Eugene Ionesco’s absurdest masterpiece The Bald Soprano (“La Cantatrice chauve”) ends as it begins: with an Englishwoman talking about french fried potatoes. Her husband isn’t listening, but this failure of communication is small…