Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
The Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of language,” is probably the most…
Tina Brock and company make Ionesco’s absurd SOPRANO sing.
Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
The International Philly Fringe: A welcome to 28 countries
IRC presents a must-see revival of Eugene Ionesco’s 1952 classic THE CHAIRS, a defining work of the theater of the absurd.
“Casting call” for the chairs in Ionesco’s THE CHAIRS: Interview with IRC artistic director Tina Brock
The Idiopathic Ridiculopathy Consortium brings Eugene Ionesco’s hilarious, controversial, absurdist classic THE CHAIRS to the 2016 Fringe Festival. We talk to director Tina Brock about the show.
Tina Brock talks about Idiopathic Ridiculopathy Consortium’s Fringe show Eugene Ionesco’s THE CHAIRS.
A collection of six short one-act comedies address the existentialist dilemma and pose the ubiquitous question, “What if?”
Henrik Eger talks to director Tina Brock about this intriguing Fringe production.
Philadelphia’s favorite absurdist theater troupe, Idiopathic Ridiculopathy Consortium, is Fringing all Festival long with Eugene Ionesco’s EXIT THE KING. Henrik Eger talks to the six cast members about the characters…
I asked cast members of the Idiopathic Ridiculopathy Consortium (IRC), Philadelphia’s absurdist theatre (since 2006), founded by artistic director Tina Brock, what Ionesco’s RHINOCEROS brought up for them as actors and as people. The range of responses is as astounding as this production. A big thank you to everyone who participated in this Phindie interview.
Director Tina Brock brings spot-on casting, lightning-quick pacing, and non-stop hysteria (of both the panicked and hilarious varieties) to Idiopathic Ridiculopathy Consortium’s FringeArts production of Eugène Ionesco’s RHINOCEROS. The devastating consequences of mindless conformity, social apathy, and turning a blind eye to a growing threat are the important themes of the darkly comic Theater of the Absurd masterpiece.
Theater writer Jessica Foley is seeing 20 Fringe plays in 20 days. Why is she starting with Ionesco’s Rhinoceros?