Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.View More HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance
Interview with British actor Zainab Jah, who takes on the role of HAMLET at the Wilma Theater.View More Physical, Naked Honesty On Stage: Interview with Zainab Jah, female Hamlet at the Wilma Theater
Two of the best plays in the English language share most of the same characters and much of the same dialog. The Wilma is doing them in successive productions.View More Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD
Phindie looks at tax returns for local theaters to see how much they brought in from what sources. We also look at who the best paid employee was for each “non-profit”.View More Is there money in theater? Where does it come from? Who gets it?
Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality.View More DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw
Like the rest of us, theater companies have to file taxes. This tax day, we look at some information from the most recent publicly available tax returns (generally 2012) for some major and independent Philadelphia companies.View More Tax time. Is there any money in theater?
UNDER THE WHALEBACK, a tale of the sea taking place on a fishing ship, will upset audiences at the Wilma Theater until April 7. As…View More UNDER THE WHALEBACK (Wilma): Grumpy Professor Review