Beth Geatches
TRIAGE (Bent Antennae): 2017 Fringe review
TRIAGE is a loosely formed conceit in which a manic-fairy-pixie host wearing a gas mask prances around, forcing the audience to watch bad improv. It’s as fun as it sounds….
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COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere 
I An artful blend of theater and history thrives among the tombstones at Old Swedes Church 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke...
From the archives…
SUNSET, O639 HOURS (BalletX): Neenan blazes into sunset
With his BalletX summer program SUNSET, O639 HOURS, a long-form narrative ballet, choreographer Matthew Neenan unveiled taps new creative veins, steering clear of all his choreographic safe zones. more…
