“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
Bertolt Brecht
THE RESISTIBLE RISE OF ARTURO UI (DBaD Productions): 2017 Fringe review
The Fringe is an excellent place for companies to mount political protest plays
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
THE THREEPENNY OPERA (Villanova): Brecht played louder than the music
Republished by kind permission from Neals Paper. Kurt Weill’s insistent tingel-tangel score for THE THREEPENNY OPERA pervades the Vasey Hall stage, with horns and drum pumping to a martial beat that…
