Ralph Malachowski see’s the Pride Night performance of Sam Shepard’s SIMPATICO.
In Tennessee Williams’s script for 27 Wagons Full of Cotton and the 1956 screenplay that derives from it, Baby Doll, everybody puts Baby in a corner.
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Smith reveals the conflicting aspects of his personality in his outwardly funny but internally anguished reactions to the damage done to his body and psyche by a car crash that left him physically and emotionally scarred, more…
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