Berlin

passing-strange

PASSING STRANGE (Wilma): Youth and rebellion

Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”

PAssing Strange Wilma Theater

PASSING STRANGE (Wilma): A worthwhile caricature of art

The performers leave a bright impression in a play that’s a caricature of life and art,

Rott (Steve Underwood) interrogates Bonhoeffer (Chase Byrd) against swastika background. Photo by © James Jackson.

A Theologian and the Nazis: Interview with Mary Ruth Clarke, playwright of BONHOEFFER’S COST (Beacon Theatre Productions)

We spoke to Mary Ruth Clarke her thought-provoking play based on an extraordinary German theologian who worked for the anti-Nazi resistance.

Charlie DelMarcelle. Photo by matthewjphoto.com

I AM MY OWN WIFE (Theatre Horizon): A story of perserverance

In Berlin in the wake of German reunification, American John Marks writes to his friend “Doug Wright” (I AM MY OWN WIFE’s playwright) about the eccentric Charlotte. Having “grown up gay in the Bible Belt”, Wright is fascinated by the transgender Berliner and spends grant money and savings to pay her a series of visits, hoping to turn his interviews into a play.

As related in act one of this short two-act piece, Charlotte’s tale fascinates Wright (and the Theatre Horizon audience).