BEHOLD HER (Half Key Theatre Company): 2018 Fringe review
Publicity for the show focuses on the question, “What is beauty?,” but the show itself goes much deeper.
Bella Abzug
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ROMEO AND JULIET (Wilma): Wherefore do Romeo and Juliet? How do you do fellow kids? 
Revisiting Pinter’s BETRAYAL: A commentary An attempt to detangle this nine-scene play that’s designed to move backwards 
Getting to Know Tina Brock John Rosenberg brings his series of long-form interviews to Phindie with IRC director Tina Brock. 
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger One of Germany’s most popular singers launches his North American tour this week. 
SIZWE BANZI IS DEAD (McCarter): Being a man in apartheid SIZWE BANZI IS DEAD is genuine work of theater and an authentic, authoritative look at a shameful period of South African history.
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From the archives…
BLOODY MILK (dir. Hubert Charuel): Philadelphia Film Festival review
Bloody Milk is a sort of genre-less affair which could best be described as “occupational drama
dressed up like a thriller.” more…
