MOON OVER BUFFALO (People’s Light): A few doors short of a farce
Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?
backstage
Now trending…
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to No INTRODUCTION Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her. 
A Woman Who Dares: Interview with KC MacMillan KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire... 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
Theater in Sketch: TOMMY AND ME (Theatre Exile) Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality.
From the archives…
THE GARDEN (Nichole Canuso Dance Company): Offer your hand…
Six audience members isn’t an empty house; that’s the full load for Nichole Canuso Dance Company’s THE GARDEN. The basement below us is an expansive concrete stretch, a network of small rooms and squared pillars, and we’re sent down into a smallish room scattered with chairs. We’re invited to sit wherever we like.
Help support Phindie operations
