The viewer is left with an uplifting feeling and sense of togetherness
BalletX’s Fall Series features three disparate dances united by evocative lighting schemes and the genre-stretching beauty of movement which characterizes the company.
TOWN (Jolie Darrow & Jack O’Keeffe/PHIT Comedy): 2017 Fringe review TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake. 
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review The promise of “something for everyone” is both too little and too much. 
THE PASSION OF KELLYANNE (LiveFeedNYC): 2017 Fringe review How did Kellyanne Conway go from Hammonton, New Jersey blueberry-packing champ to the first woman to manage a successful U.S. presidential C... 
A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet. 
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review On the Rocks proves you can dismantle the master’s house with his tools. 
Midway Avenue is a dance/theatre work that speaks to the sensation of memory as kinetic experience, one in which choreographer/performer Nichole Canuso repeatedly refers to as “map.” The piece leaves room for audience objectivity of experience while referencing concrete objects and moments in time. The setting is a chalked list of 24 items running down either side of the stage, with crossroads of domestic props that Canuso overturns, dances with, seizes as puppetry, and deconstructs on multiple visual/kinetic/verbal levels over the course of the show.
