Asya Zlatina

Venus: Asya Zlatina and Sybil Geddes and planetary paper towels. Sketch by Aaron Krolikowski thesketchbookreporter.com.

Fringe in Sketch: STORM (Asya Zlatina and Dancers)

Asya Zlatina and Dancers flesh out Gustav Holst’s powerful Planets Suite

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STORM (Asya Zlatina and Dancers): 2017 Fringe review

Asya Zlatina’s new work STORM is sophisticated and well-done.

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Fringe in Sketch: Previewing STORM by Asya Zlatina and Dancers

Phindie can vouch for Asya Zlatina’s STORM because we were lucky enough to sit in on a rehearsal for the emotion-capturing piece.

THESE TERRIBLE THINGS used a famous image of a child rescued from a concentration camp asked to draw "home".

24 Picks for the 2017 Philadelphia Fringe Festival

What to see at the 2017 Philadelphia Fringe Festival

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ANNE-MARIE MULGREW AND DANCERS COMPANY: Marvels in our daily lives

Dance is one of our most natural ways to communicate and express our thoughts.

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Dance in Sketch: Anne-Marie and Dancers Company

This temporal moment is an instant visual image that leaves us with something once the performance is over.

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BARRY: MAMALOSHEN IN DANCE (Asya Zlatina): 2016 Fringe review 65

Featuring young talents and Zlatina’s storytelling choreography, BARRY is a show with heart and love, quick on its feet.

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The Ultimate Guide to Dance at the 2016 Fringe Festival

Dance takes center stage this year at the 20th Fringe Festival with 6 curated performances and over 27 Independent Fringe Fringe shows.

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There’s No Place Like Home: Revolutionary performances by Automatic Arts

The best showcase for new performing arts in Philadelphia gets Revolutionary with an evening of beer and performance at Cliveden

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The 28th Inhale Performance Series (KYL/D): Dance review

Whether you are a dance aficionado or a first time attendee, Inhale Performance Series presents a wide variety of dance artists in a showcase fanyone can enjoy.

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SOLONELY TOGETHER (Carolyn O’Brien): Finding gems in DIY art

A collection of short pieces by a number of different emerging artists from various disciplines on the subject of loneliness.

Koresh Asya Zlatina and Jessica Daley. photo by Frank Bicking

THROUGH THE SKIN (Koresh): Flesh and the dance devil

The body beautiful is an aspect of dance that can be easily exploited. Two shows, from opposite ends of the dance spectrum, featuring scantily clad dancers, challenge audiences not to objectify – Koresh Dance’s Through the Skin and Flashdance, the Musical. In contrast to the sexy poster art for both show, they both un-voyeuristically sing the body electric.