This month, PAPA seeks to solidify its presence in the city with its first full production, Tiger Style! by Mike Lew.
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
The Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of language,” is probably the…
Tina Brock and company make Ionesco’s absurd SOPRANO sing.
An egomaniacal actress disrupts the lives of her estranged dysfunctional family in Nicky Silver’s sardonic and disturbing absurdist tragicomedy.
The Zombie Apocalypse invades the Fringe with Tribe of Fools’ zany foray into the fright genre, with a serious socio-political message about gun violence.
Even a brief encounter with Allen Radway reveals the intelligence, sympathy, and generosity of spirit evident in his theatrical work. We talk to him ahead of his newest, CCTCs THE TEMPEST.
Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.
This is no mere retelling of Romeo and Juliet. What we get is a conjuring, a blood-letting, a full-throated cry of rage.
The Second Annual One-Minute Play Festival (InterAct): Tipsy on Theater: Wine-tasting 90 plays and a night-out in Philly without a hangover
You step off the tour bus, the smell of exhaust replaced first with fresh air, then with the sugary smell of grapes. You sit around a bar with a wine…
And maybe that’s what makes Ellie Brown’s DEAR DIARY, BYE such a fascinating show. The play, directed by Seth Reichgott, presents her 1984 diary. Brown wasn’t so different from any other ten year old – she liked boys, she got sick of her parents, she was teased, and she liked more boys. There’s a pleasure in this kind of uncensored presentation, a la Nature Theater of Oklahoma.