Arielle Pina

Two of several performers who spend some time on the floor during Michael Kiley's music-movement "experience" Close Music for Bodies. Photo by Adachi Pimentel.

CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review

Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness

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No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to NO INTRODUCTION

Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her.

The beginning of the show. All are at rest. On stage (Alexa Byrd and Will Colella). And on the floor (Michael Pusey)

Fringe in Sketch 7: UNARMED (Arielle Pina)

As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.

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UNARMED (Arielle Pina): 2015 Fringe review 49

By looking into the cultural divides between white and black Americans, UNARMED confronts a culture which teaches us to kill.

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Mike Durkin’s 10 Fringetastic Fringe Picks!

With his Fringe pedigree, Mike Durkin is the ideal guy to ask for some Fringe recommendations. Here are his Top Ten Fringetastic picks.

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Disarming Discourse: Arielle Pina talks race and the body in her Fringe show UNARMED

America has embarked on a complicated discussion about race and policing. How can a Fringe show contribute to this conversation?

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UNARMED: Realizing Race and Racism at Fringe Festival 2015

“Before we even get to move, the bodies just existing together in space is getting at American politics”

Pig Iron Pay Up 2013 Philadelphia Fringe review

[20] PAY UP (Pig Iron Theatre Company with The University of the Arts): Fringe review

This is not a play. Therefore this is not a review, but a warning. If you’re looking to sit in a darkened theater watching actors execute a full-length script start-to-finish,…