Ballet is a living art.

Angel Corella’s restaging preserves the tradition of the classic ballet and manifests true love onstage.

Eri Yoneda speaks with the artistic director of PA Ballet about his new production of Giselle.

The Nutcracker is not just a lovely holiday tradition. It’s am ambassador for ballet, gaining fans who have never been to seen ballet before.

Pennsylvania Ballet closed its 2017-2018 season with George Balanchine’s masterpiece, JEWELS

Pennsylvania Ballet’s fifth program of the current season is a historically intriguing.

SWAN LAKE is the classic that people think of when they hear the word “ballet.”

The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.

Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.

For the last program of Pennsylvania Ballet’s 2015-2016 season, Angel Corella challenges both the dancers and the audience with the four experimental dances

Based on the beloved novel, Don Quixote de la Mancha by Miguel de Cervantes, DON QUIXOTE has been one of the most popular and challenging ballets for over a century.

The selections show artistic director Angel Corella’s close attention to the dancers’ talents and characters and his passion to bring out the best in them.

A holiday tradition for many Philadelphians, the Pennsylvania Ballet’s NUTCRACKER returns for another season.

In his second season as the artistic director of the Pennsylvania Ballet, Angel Corella is hand-picking the entire program for the first time.

As Angel Corella’s first season with Pennsylvania Ballet draws to a close, it’s safe to say that his tenure as the company’s artistic director is off to a very impressive start.

Most balletomanes credit Balanchine with capturing the American spirit in ballet, but to me it’s Jerome Robbins who deserves the accolades.