Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Former PlayPenn interns come into their own as theater professionals.
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TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
Fringe in Sketch: POWERPOINTS FOR MY FRIENDS (Megan Chialastri / PHIT) Philly Improv Theater presents powerpoints for my friends at the Adrienne. 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Sarah Robinson produced and directed one of the highlights of the 2012 Fringe, Sarah Kane’s Crave. She’s also a regular feature on the boards in Philadelphia, appearing recently in SmokeyScout Productions’ Carter’s Play and B.Someday’s Criminal Genius (part of George Walker’s Suburban Motel series), among other shows. more…
