A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.
Naughty and nice collide in TOUCHTONES, a musical fantasy in world premiere at the Arden.
There remains something compelling about ghost stories. Annie Baker’s JOHN demonstrates why: our past haunts just as well as any poltergeist.
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Theresa Rebeck’s thriller with a philatelical twist leaves a stamp of suspense on an appreciative audience. more…
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