Applied Mechanics

FEED (Applied Mechanics): 2016 Fringe review 14

Narrative, fiction, performance, and reality collide through the breaking of bread.

The Howl of the Under-Represented: Interview with WOLVES director Michael Osinski

Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory…

Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group)

Henrik Eger talks to director Rebecca Wright about her work and influences.

Mary Tuomanen and Aimé Donna Kelly in WE ARE BANDITS. Image courtesy of Applied Mechanics.

WE ARE BANDITS (Applied Mechanics): People like us don’t meet

With WE ARE BANDITS, director Rebecca Wright and Applied Mechanics are working against a brutal opponent: American cynicism.

They’ve turned the third-floor space of Asian Arts Initiative into what looks like a sprawling, minimalist installation piece. Tables, chairs, and little else delineate various spaces throughout the basketball-court-sized venue, including a city square, the apartments of various characters, a rooftop, and a church.

PIFA 2013: HSP’s ArkHIVE and other theatrical highlights

“[H]alf-way up the hill, I see the Past Lying beneath me with its sounds and sights,— A city in the twilight dim and vast, With smoking roofs, soft bells, and…