Anthony Lawton

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THE CRAFTSMAN (Lantern): Crafting a good story

Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.

Kittson O'Neil in OR.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

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THE CAROLS (1812 Productions): Ghost of past holiday movies brought to comic life

A great entertainment present for Philly’s Christmas present.

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A MOON FOR THE MISBEGOTTEN (Walnut): 60-second review

The Walnut’s production reveals the bones of an American classic if never quite fleshes out the potential of the enduring masterwork.

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K.O. DelMarcelle: Maintaining versatility with an eye on the future

Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.

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HENRY V (PA Shakespeare): The king is but a man

While HENRY V contains two of Shakespeare’s most stirring speeches, smaller, less rhetorical moments are the more engrossing in Matt Pfeiffer’s staging for Pennsylvania Shakespeare Festival

Scott Greer and Anthony Lawton in TO THE MOON.

TO THE MOON (1812 Productions): An homage to The Great One, who was not so great after all

Whether you were a fan of The Honeymooners, or have never seen more than a clip on YouTube, this homage to The Great One reminds us of what comedy used to be like.

Agent Frank (Akeem Davis), Officer Eric Sheridan (Anthony
Lawton), Mrs. Meekly (Gerri Weagraff), and Todd (Jake Blouch) can't
believe what they are watching in Act II Playhouse's production of
"Unnecessary Farce," now extended until March 29. Photo by Mark Garvin.

UNNECESSARY FARCE (Act II): 60-second review

A stakeout goes awry with hilarious consequences in UNNECESSARY FARCE at Act II Playhouse.

David Howey and Beth Dixon in PTC’s OUTSIDE MULLINGAR (Photo credit: Mark Garvin)

OUTSIDE MULLINGAR (PTC): Land, loss, and love in rural Ireland

John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle

Deanna Gibson plays one of three witches in the Pennsylvania Shakespeare Festival’s MACBETH (Photo credit: Lee A. Butz)

MACBETH (Pennsylvania Shakespeare Festival): A Minimalist Vision

Director Patrick Mulcahy takes a modernist approach to the Pennsylvania Shakespeare Festival’s production of MACBETH, with a 20th-century minimalist aesthetic that compels the audience to focus on the emotions and actions of the characters and the power of the playwright’s language. It’s stark and intense, and also, at times, oddly anachronistic and comical, performed in attire that suggests a peculiar mash-up of wartime Berlin and dance club chic, military and punk.

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THE SCREWTAPE LETTTERS (Lantern): 60-second review

The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review

(Photo credit: Mark Garvin)

THE RISE AND FALL OF LITTLE VOICE (Walnut): A 60-Second Review

Some of life’s biggest journeys begin with that one small voice in our heads, telling us to take an unexpected leap of faith. As a painfully shy young girl channeling bold songstresses of the past through her deceased father’s record collection, Ellie Mooney delightfully shows audiences how to find the power within, as the star of THE RISE AND FALL OF LITTLE VOICE.

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A Demonic Tour de Force: The Screwtape Letters Returns to the Lantern Theater Company

C.S. Lewis‘s The Screwtape Letters is more overtly religious than his allegorical children’s books. But just as an appreciation for the Narnia tales does not require a belief in talking animals and…

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Shakespeare in Philadelphia: The Arden’s Romeo and Juliet Introduces a Season of the Bard

Four hundred years after his death, William Shakespeare remains the world’s most produced playwright. For evidence of his enduring popularity look no further than the region’s stages: there are at least five…