Martello shines in an otherwise confused production of this classic musical.
In a casting coup, Anthony Heald has come to Philadelphia to play Herbie in GYPSY at Arden Theatre.
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
THE IMPORTANCE OF BEING EARNEST (Walnut): A trivial comedy for serious people Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style. 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. In his solo work CONFESSIONS OF A MORMON BOY, part of this year'... 
SOLOW FLASH INTERVIEWS 2014, EPISODE TEN: ALEXANDRA TATARSKY, CINDY SPITKO and JOY CUTLER In episode ten, we've got nothingness Goethe in a secret secret place, grief clowning in West Philly, and autobiographical anatomy in Rittenhouse. 
“Noisy and full of crap.” That’s Molly (Clare Mahoney) describing the data one gets when trying to reduce messy living things down to mere data points. She’s a Bio grad student attempting a connection with compsci grad student, Elliot (Jonathan Silver).
