Annie Wilson

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LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review

A beautiful spectacle, full of humor, sadness, joy and handstands

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LEAPS OF FAITH AND OTHER MISTAKES (Almanac Dance Circus Theatre): 2017 Fringe review

Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics

Mary Tuomanen in HELLO! SADNESS!  Photos by  Daryl Peveto.

Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)

Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.

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Dance in Sketch: More from Annie Wilson’s AT HOME WITH THE HUMORLESS BASTARD (FringeArts)

Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.

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Dance in Sketch: AT HOME WITH THE HUMORLESS BASTARD

“Is this a dance performance or a social experiment?”

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CATCH TAKES BOK (Catch and Thirdbird): 2016 Fringe review 59

Brooklyn’s CATCH is a showcase for experimental artists in all genres—The Ed Sullivan Show on acid.

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HELLO! SADNESS! (Kimmel): Just a glimpse of the divine

All Mary Tuomanen wants to do is tell us a story about Jean Seberg, but things keep coming up.

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The Fringe in nine and a half hours: the Phindie Fringe Bike Tour Diaries (part two)

Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.

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LOVERTITS (Annie Wilson): 2014 Fringe review 86

The topic of Annie Wilson’s LOVERTITS is the female body. But the bodies are at turns irreverent, nonchalant, non-sexualized.

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2014 Rocky Awards – Winners!

Unlike other awards that have a panel of judges or votes by the public, each 2013 recipient has the honor of bestowing a 2014 Rocky to an individual they feel represents the best of Philadelphia dance in the previous season.

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THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): Fringe Review 35

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

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Merilyn Jackson’s 9 Fringe Dance Picks

Dance writer Merilyn Jackson gives her picks for the 2014 Fringe Festival, with the page numbers from the Fringe Guide for helpful reference.

Phindie's Official Fringe Bike Tour led by Julius Ferraro

PHINDIE’S OFFICIAL FRINGE BIKE TOUR: Experience Fringe in a way never before possible

Wanna experience the best of Fringe, but don’t know how? Overwhelmed by the offerings of the Guide? Fearful to take your first taste of Philly’s oldest and largest performance festival and somehow get it wrong? Or else just don’t want to do it alone?

Join Phindie for a one-day Fringe immersion, led by Julius Ferraro—Phindie.com theater editor, journalist, playwright, performer, and veteran fringehopper.

Aaron Cromie and Christie Parker in THE BODY LAUTREC. Photo credit: plate3photography.com.

Doug Williams’s 5 Fringe Picks: Festival fave reveals his not-to-miss shows

Playwright Douglas Williams collaborated on a stand-out Fringe hit of 2013, Holly’s Dead Soldiers Doug shared five picks the 2014 Fest.

Mary Tuomanen and Aimé Donna Kelly in WE ARE BANDITS. Image courtesy of Applied Mechanics.

WE ARE BANDITS (Applied Mechanics): People like us don’t meet

With WE ARE BANDITS, director Rebecca Wright and Applied Mechanics are working against a brutal opponent: American cynicism.

They’ve turned the third-floor space of Asian Arts Initiative into what looks like a sprawling, minimalist installation piece. Tables, chairs, and little else delineate various spaces throughout the basketball-court-sized venue, including a city square, the apartments of various characters, a rooftop, and a church.

Chelsea Murphy and Magda San Milan in WE TOUCHED IT. Photo by Kate Raines, Plate3Photography.

REMIX FESTIVAL (fidget): The Unseen Hand

Remix Festival, hosted at , is curated by Annie Wilson and Susan Rethorst, creator of the remixing concept (she calls it “wrecking”). The concept behind the festival is that on each of the four nights, three or four artists present original dance works. Then, after a short break, other artists present “remixed” versions these dances which they’ve had two days to prepare.

Ben Grinberg rehearsing COMMUNITAS at Penn Treaty Park. Photo credit Justin Rose

Communitas Organizer: Interview with Ben Grinberg about his dance circus theater

Together with collaborator Nick Gillette, Ben Grinberg founded Almanac Dance Circus Theatre to offer production of his unique brand of acrobatic theater. Almanac’s inaugural show, Communitas, launches this May 22-24 at Christ Church Neighborhood House. Phindie asked Ben a few questions about the show and his new company.

REMIX FESTIVAL: DANCE REIMAGINED

What happens when you combine Philadelphia choreographers with dance makers from across the country, give them less than 10 hours to remix and recreate each other’s works, and ask them to show their creations? We’re about to find out.

The Remix Festival, curated by Annie Wilson and Susan Rethorst, is inspired by Susan’s choreographic technique of wrecking­—basically radically taking apart a finished work and reconstituting into a new form—and The Wrecking Project.

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You’re Probably Missing Out: A tour of Kensington’s performance spaces

The performance spaces which have made Kensington their home (Walking Fish Theatre, Hella Fresh, Mascher Space, and fidgetspace) are remote, both financially and physically, from the city, yet still close enough to converse artistically with downtown venues and even to attract funding.